By David Weber
New York instances, united states this present day, Wall highway Journal and foreign bestselling phenomenon David Weber gives you the 1st access in an unique younger grownup technological know-how fiction experience sequence, the celebrity country saga! younger youngster Stephanie Harrington kinds a telepathic bond with an clever alien treecat on a pioneer planet—and needs to struggle for the liberty of her new pal and his species opposed to highly-placed enemies decided to assert the realm for people only.
Stephanie Harrington continuously anticipated to be a wooded area ranger on her homeworld of Meyerdahl . . . till her mom and dad relocated to the frontier planet of Sphinx within the a ways far away celebrity country of Manticore. it may were definitely the right new domestic --- a virgin wasteland choked with new species of each style, simply ready to be chanced on. yet Sphinx is a much more harmful position than ultra-civilized Meyerdahl, and Stephanie’s explorations come to a unexpected halt while her mom and dad lay down the legislation: no journeys into the bush with out grownup supervision!
but Stephanie is a tender girl decided to make discoveries, and the most important one in all all awaits her: an clever alien species.
The forest-dwelling treecats are small, adorable, shrewdpermanent, and feature a mentioned flavor for celery. and they're additionally very, very lethal after they or their neighbors are threatened . . . as Stephanie discovers while she comes face-to-face with Sphinx’s so much deadly predator after a hang-gliding twist of fate.
yet her discoveries are just starting, for the treecats also are telepathic and ready to bond with convinced people, and Stephanie’s locate --- and her first-of-its variety bond with the treecat Climbs fast --- land either one of them in a clean torrent of risk. Galactic-sized wealth is at stake, and Stephanie and the treecats are squarely within the course of highly-placed enemies decided to ensure the planet Sphinx continues to be totally in human fingers, no matter if that implies the extermination of one other considering species.
regrettably for these enemies, the treecats have kept Stephanie Harrington’s existence. She owes them . . . and Stephanie is a tender girl who stands by way of her friends.
this means that issues are approximately to get very interesting on Sphinx.
About A attractive Friendship:
“It’s infrequent to discover youngster technological know-how fiction that strays past well known dystopian fare. The environmental messages, human-animal friendship, humor, motion, and creative expertise will make this sequence starter a simple hit. . . .”—<i >Booklist
About David Weber and the glory Harrington series:
“. . .everything you may wish in a heroine….excellent…plenty of action.”—Science Fiction Age
“Brilliant! great! Brilliant!”—Anne McCaffrey
“Compelling wrestle mixed with attractive characters for an exceptional area opera adventure.”—Locus
“Weber combines practical, enticing characters with clever technological projection. . .Fans of this venerable house opera will celebrate. . .”—Publishers Weekly
Read Online or Download A Beautiful Friendship (Star Kingdom, Book 1) PDF
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Additional info for A Beautiful Friendship (Star Kingdom, Book 1)
Lermontov’s “mysterious saga” murmured by the icy spring relates to Chekhov’s “mysterious detail”: the appearance of the watchman. ” Moreover, Gurov’s spiritual state in the Oreanda scene is consonant with the final chord of this poem: И счастье я могу постигнуть на земле, И в небесах я вижу Бога…(Lermontov 1: 28) And I am able to comprehend happiness on earth, And in the heavens I see God… But above all, it is perhaps this combination of, on the one hand, universality, and on the other hand, the instantaneity and subjectivity of the lyrical comprehension of the world, that allows us to draw parallels between the scene in Oreanda and Lermontov’s poem.
This dynamic aspect differentiates inbetweenness from “ambiguity” and “indeterminacy,” the terms frequently applied to Chekhov’s work. See, for instance, the chapter “Stories of Ambiguity” in Karl Kramer’s The Chameleon and the Dream (155–73) and the discussion of Chekhov’s “indeterminacy principle” in Petr Dolzhenkov’s Чехов и позитивизм (21–51). In his recent comprehensive study Проблемы коммуникации у Чехова, Andrei Stepanov comes to the conclusion that Chekhov’s texts are “inherently ambivalent and paradoxical in every atom of their communicative structure, and what happens in them cannot be evaluated unequivocally” (396).
His advanced age is reflected in the age of the furniture (старинная дедовская мебель), and their inner affinity is stressed by the usage of identical grammatical forms (тучный старик-лакей; мрачные старики-кресла). Simultaneously, the image of a “big elderly woman in black” recalls the description of the house as “a big stone” thrown on the grass. ” Furthermore, the “lowered blinds” are associated with the old woman’s “frowning” eyes. ” The question arises: what is real and what is imaginary here?
A Beautiful Friendship (Star Kingdom, Book 1) by David Weber